approaching peripeteia.

1. "Passolini mechanism":

2. Pasolini's Medea (1961):

i.

ii. Maru Sankaku Shikaku (Circle Triangle Square):

a. Bhutto

b. Butoh (舞踏)
D. Mother Joan of the Angels (1961):

Ñ. Our Lady of the Turks ("Nostra Signora de Turchi," 1968):

I. Machine Subjectivity:

"In the works co-authored by Deleuze and Guattari, subjectivity is presented as the product of 'complexes,' processes that are centered neither on individual agents nor on structured identity groups, but are doubly decentered. They are as much extra-personal and extra-individual as infrahuman, infra-psychological and infra-personal. Their extra-individual dimension involves the operation of technical, economic, social, environmental and media machines that include natural and technical dimensions, which are no longer purely anthropological. Their infra-human dimension includes systems of perception, sensitivity, affect, desire that precede the constitution of an individual, who is never but the provisional result of an uninterrupted heterogenesis. Individual subjectivity results from the unstable interlacing of collective determinations that are not only social, but also economic, technological, environmental." --Manola Antonioli

II. Art as Technique:

"The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects ‘unfamiliar’, to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged. Art is a way of experiencing the artfulness of an object; the object is not important." --Viktor Shklovsky


--∀L∉×


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