TATSUKI YOSHIHIRO (FROM EVES/EVE-TACHI, 1970):
PHILIP W. TEISTER:
YES:
"YES" (1), (2) SEE: http://kultur-online.net/?q=node/11177
BEDROOM ZART:
Mono Lake, if reality at all corresponded to my imagination:
David Armstrong's eyes claim another victim:
READ THIS, BRO:
"In other moments, other slivers of mirror, he finds himself obsessed with Walt Disney, whose anti-Semitism he shares but whose anthropomorphic cartoon animals he finds bizarre and incomprehensible. Disney is 'a man who brings Muslims to heel. Conquers through blasphemy and seduction,' and begins to emerge as Atta’s nemesis. The inchoate terrorist “observes the ersatz streets of the false king’s city” with strange feelings in his heart. (Kobek’s publisher is Semiotext(e), popularizer of Jean Baudrillard’s eighties-era screeds against 'Disneyland … presented as imaginary in order to persuade us that the rest is real.' Atta is aware more than most that, 'behind the baroque of images hides the gray eminence of politics.' Atta’s are a politics of disgust, and he empties himself entirely of the non-political. He studies horror movies and poses for pictures with as blank and menacing a look on his face as he can muster. He is coterminous with his mission.)"
THIS IS HAPPENING TODAY, IN THE HAMLET OF BERKELEY/"GOOD NIGHT, SWEET POST-AGRARIAN LANDSCAPES":
















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