beautiful.
(see also)
YYYEP.
T E R A Y A M A F O R E V E R ))) ) )
"Composed entirely of film scraps salvaged from a closed Beirut cinema, Beirut Outtakes is a collage of sensational visions. Ed Halter writes in the Village Voice: "Outtakes appears to be a ready-made, albeit one tailor-made for Ahwesh's career obsessions, pre-filled with her signature elements: gleeful disruptions of high and low, affection for decayed textures, a peeping eye for lurid sexuality, and a fascination with unlikely images of the Middle East. Just one sequence of a go-go-booted belly dancer wriggling in an Arabic-language cinema advertisement for home air conditioners alone has the power to shatter more stereotypes than 500 pages of Edward Said." --Electronic Arts Intermix
[today's dawntime: sitting next to a cemetery waterfall, editing stuff for "UC Berkeley's" academic "journal" that's coming out next month. listening to this--->my edits = "probably" fucked.]
...........FOLLOWED BY,
--TONIGHT.
READABLES:
PAUL VIRILIO: "THE VISION MACHINE"
JOSEPH NECHVATAL: "IMMERSION INTO NOISE"
(^NB: http://www.flickr.com/photos/jellitsch/sets/72157626033213363/)
...scattered analog topographies, after the jump.
...scattered analog topographies, after the jump.
(Pebble Beach, 2/11/12; The Pinnacles, 2/26/12)
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